Photography 1965-74 (SPECIAL EDITION WITH PRINT)

Yutaka Takanashi
Photography 1965-74 (SPECIAL EDITION WITH PRINT)

Photographs: Yutaka Takanashi

Text: Priska Pasquer

Publisher: Only Photography

116 pages

Year: 2010

Comments: Linen hardcover with glassine paper dust jacket in a yellow cardboard slipcase, 325 x 245 mm. Text in english, in german and in japanese. Special edition of 30 numbered copies including a silver gelatin print made and signed by the artist, "Untitled", in the format of the book. Book stamped by the artist's personal seal. Scarce copy in excellent condition.

Yutaka Takanashi belonged to the small group of photographers who launched the magazine Provoke in 1968/69. The magazine had considerable influence on Japanese photography of that period. He was one of the founding members of this group along with the photographer Takuma Nakahira, the critic and photographer Kôji Taki, and the theorist Takahiko Okada. Daidô Moriyama joined the group during the production of the second issue.

As a member of the small Provoke collective, Takanashi was able to find a new theoretical approach and its visual language. The influence of this group and of the magazine on the photographic scene in Japan was immense. Nobuyoshi Araki described Provoke in retrospect as the trigger of an explosion in Japanese photography. In the following years the Provoke photographers produced major works in terms of photographic history, whereby Yutaka Takanashi defined the high point as well as the end of this era with the publication of his first book, Toshi-e (Towards the City), in 1974.

This two-part book set new standards in terms of design, materials and craftsmanship. In a compartment behind the larger volume, Toshi-e, one finds an earlier series in the smaller format volume, Tôkyô-jin; it seems to have provided the basis for the larger book. The smaller volume is designed to look like a printed notebook on simple paper. This combination is indicative of Takanashi's non-dogmatic treatment of the different visual styles and approaches of the 1960s. While he shows the real Tôkyô on the verge of becoming a modern urban society in Tôkyô-jin and names the concrete location at which each of the photographs was taken, Toshi-e contains a view of an urban landscape that has no defined location.

Our book, Yutaka Takanashi, Photography 1965–74, presents a representative cross-section of these two pioneering photographic series in 35 full-page illustrations and 6 large format plates. An extensive biography, list of exhibitions and a bibliography round off our newest publication.

Publisher's description